Kiln Price
- Under $1,000.00 (10512)
- $1,000.00 - $1,500.00 (544)
- $1,500.00 - $2,000.00 (659)
- $2,000.00 - $2,500.00 (761)
- $2,500.00 - $3,000.00 (563)
- $3,000.00 - $4,000.00 (1312)
- $4,000.00 - $5,000.00 (853)
- $5,000.00 - $10,000.00 (906)
- Over $10,000.00 (238)
Kiln Type
- Pottery (3110)
- Glass (719)
- Multi-Media (530)
- Gas and Raku (52)
- Knife Ovens (300)
- Metal Working (366)
- Test Kilns (330)
Kiln Shape
- Round (2242)
- Oval (522)
- Front Loading (661)
- Square Top Loading (495)
Kiln Voltage
Cone Rating
- Cone 12 (32)
- Cone 10 (2661)
- Cone 8 (362)
- Cone 6 (90)
- Cone 5 (19)
- Cone 4 (10)
- Cone 03 (18)
- Cone 017 (8)
Inside Height (inches)
- Less than 8" (560)
- 8" - 10" (117)
- 10" - 12" (53)
- 12" - 14" (316)
- 14" - 16" (40)
- 16" - 18" (438)
- 18" - 20" (560)
- 20" - 22" (364)
- 22" - 24" (702)
- 24" - 26" (244)
- 26" - 28" (962)
- 28" - 30" (136)
- More than 30" (418)
Inside Width (inches)
- Less than 8" (78)
- 8" - 10" (260)
- 10" - 12" (318)
- 12" - 14" (60)
- 14" - 16" (225)
- 16" - 18" (540)
- 18" - 20" (115)
- 20" - 22" (248)
- 22" - 24" (947)
- 24" - 26" (220)
- 26" - 28" (750)
- 28" - 30" (896)
- More than 30" (568)
Inside Depth (inches)
- Less than 8" (22)
- 8" - 10" (62)
- 10" - 12" (111)
- 12" - 14" (66)
- 14" - 16" (209)
- 16" - 18" (542)
- 18" - 20" (201)
- 20" - 22" (240)
- 22" - 24" (1026)
- 24" - 26" (456)
- 26" - 28" (893)
- 28" - 30" (976)
- More than 30" (374)
Clay Type/Color
- Low-Fire / Earthenware Clays (16)
- Mid-Range Clays (35)
- Stoneware Clays (31)
- High-Fire Clays (18)
- Porcelain (14)
- Colored Porcelain (16)
- Throwing Bodies (19)
- Sculpture/Handbuilding (16)
- Slips (12)
- Woodfire Clays (2)
- Raku Clays (2)
- Self Hardening / Air Drying Clays (7)
- Specialty (6)
- Dry Clays (7)
- Black Clays (4)
- Blue Clays (3)
- Brown Clays (18)
- Red Clays (11)
- Tan Clays (16)
- White Clays (30)
Temperature Rating
Peter Pugger – Rugged custom-crafted machines engineered for serious ceramicists!
In studios where clay recycling is a high priority, no product makes shorter business of reconstitution than Peter Puggers. Started in 1973 in San Luis Obispo, California, Petter Pugger was the brainchild of architect/potter Gordon Motta and engineer Pandy Wood. Together, they researched, sought out, anazlyzed and visited every existing pugmill they could find – from studio models to industrial giants. Their hard work paid off, and eventually Peter Pugger developed that studio standby that saves every studio manager a lot of time and energy: the combination pugger-mixer.
Now, Peter Puggers can truly do it all. By dumping recycled scarps or fresh powdered material into the mixing chamber and adding water, the Peter Pugger’s powerful blades will chop up and refine even the toughest, most ornery clay scraps. When you choose the vacuum option, de-airing clay is as easy as pressing a button. Finally, the pug function allows your clay to emerge in a neat, manageable package – no messy chamber cleanup necessary, as is the case with many non-pugging mixers! Here at The Ceramic Shop, we swear by our Peter Pugger – we use it as part of our stilt and post production set-up, and the fact that this machine is so easy to use and so effective has enabled us to keep up with heavy production demands.
